Moon Juice is a collection of poems for children published by the Emma Press, featuring illustrations by Elīna Brasliņa.
'This clever, funny, inspiring poetry collection, which has just won the CLiPPA, is a children's debut by a poet for adults, full of rich ideas and roll-around-the-tongue sounds that demand to be read aloud.' – Nicolette Jones, The Sunday Times
'A collection of poems by a new voice writing for children is an event to be celebrated. Moon Juice by the poet, Kate Wakeling is just such an event. However, these are not poems created to grab the attention with the quick laugh and a lot of noise; these are poems to seduce, to attract because they reflect the imagination of the young reader... These are no cosily romantic lyrics but original works vividly capturing thoughts, ideas, musings and pinning them precisely to the page. Wakeling’s choice of words is pitch perfect – ‘moon is/silver sliver’ - as are her varied rhythms. These are poems to be welcomed, savoured and read aloud to oneself - and to the class or the family. Welcome.' – Ferelith Hordon, Books for Keeps
'Exuding a belief that young readers are curious about the world they live in, Kate Wakeling’s poems also give her audience a sense of power, of being able to navigate the world they (we) live in. Whether that’s through articulating the frustration and anger that can come on dark days, or through exploring the super powers children can have (even if the adults don’t know it), this wonderful collection is full of encouragement and interest.' – Zoe Toft, Playing By The Book
'I very much liked Wakeling's inventiveness and imagination. Children of 7 and up would relish the surreal 'Hamster Man' or 'The Demon Mouth' and the language and content of the poems is slap bang up to date and all the better for it. The poems are varied in shape and form, there is bold use of white space and a sense of enjoyment in the language. I think 7 year olds would love this one and I expect it to walk out of my study very soon.' Carole Bromley, The North
'This clever, funny, inspiring poetry collection, which has just won the CLiPPA, is a children's debut by a poet for adults, full of rich ideas and roll-around-the-tongue sounds that demand to be read aloud.' – Nicolette Jones, The Sunday Times
'A collection of poems by a new voice writing for children is an event to be celebrated. Moon Juice by the poet, Kate Wakeling is just such an event. However, these are not poems created to grab the attention with the quick laugh and a lot of noise; these are poems to seduce, to attract because they reflect the imagination of the young reader... These are no cosily romantic lyrics but original works vividly capturing thoughts, ideas, musings and pinning them precisely to the page. Wakeling’s choice of words is pitch perfect – ‘moon is/silver sliver’ - as are her varied rhythms. These are poems to be welcomed, savoured and read aloud to oneself - and to the class or the family. Welcome.' – Ferelith Hordon, Books for Keeps
'Exuding a belief that young readers are curious about the world they live in, Kate Wakeling’s poems also give her audience a sense of power, of being able to navigate the world they (we) live in. Whether that’s through articulating the frustration and anger that can come on dark days, or through exploring the super powers children can have (even if the adults don’t know it), this wonderful collection is full of encouragement and interest.' – Zoe Toft, Playing By The Book
'I very much liked Wakeling's inventiveness and imagination. Children of 7 and up would relish the surreal 'Hamster Man' or 'The Demon Mouth' and the language and content of the poems is slap bang up to date and all the better for it. The poems are varied in shape and form, there is bold use of white space and a sense of enjoyment in the language. I think 7 year olds would love this one and I expect it to walk out of my study very soon.' Carole Bromley, The North
The Rainbow Faults is No. 10 in The Rialto's Bridge Pamphlets series.
'What grabs me about this pamphlet is how precisely and how playfully Kate Wakeling places words to construct soundscapes. These in turn create a space for her gifts of intellect and observation.' – Helen Evans, Sphinx Reviews
'Kate Wakeling is a poet to watch, her work an April rainbow of freshness and surprise.' – Carol Rumens, The Guardian
'Perhaps Wakeling’s greatest strength in this collection is distilling the folkloric, the magical and curious into an entirely clear, modern, exciting register... Wakeling’s work is full of interest, beauty and a faint sense of unease. It is dark as unlit woodland, but her mastery of sonic patterning and tight structure means that it is also delicious, irresistibly readable.' – Alice Tarbuck, Sabotage Reviews
'The poems in her debut pamphlet, The Rainbow Faults (a to-die-for title, btw) are muscular, technical and highly musical... I didn’t just enjoy these poems, I tasted, relished and devoured them... To read them is a quicksilver zip through language and Wakeling should be congratulated for putting together such an assured, bravura body of work.' – Richard Skinner, The Next Review
'What grabs me about this pamphlet is how precisely and how playfully Kate Wakeling places words to construct soundscapes. These in turn create a space for her gifts of intellect and observation.' – Helen Evans, Sphinx Reviews
'Kate Wakeling is a poet to watch, her work an April rainbow of freshness and surprise.' – Carol Rumens, The Guardian
'Perhaps Wakeling’s greatest strength in this collection is distilling the folkloric, the magical and curious into an entirely clear, modern, exciting register... Wakeling’s work is full of interest, beauty and a faint sense of unease. It is dark as unlit woodland, but her mastery of sonic patterning and tight structure means that it is also delicious, irresistibly readable.' – Alice Tarbuck, Sabotage Reviews
'The poems in her debut pamphlet, The Rainbow Faults (a to-die-for title, btw) are muscular, technical and highly musical... I didn’t just enjoy these poems, I tasted, relished and devoured them... To read them is a quicksilver zip through language and Wakeling should be congratulated for putting together such an assured, bravura body of work.' – Richard Skinner, The Next Review
